There was once a proud teapot; it was proud of being porcelain, proud of its long spout, proud of its broad handle. It had something before and behind,—the spout before and the handle behind,—and that was what it talked about. But it did not talk of its lid, which was cracked and riveted; these were defects, and one does not talk of one’s defects, for there are plenty of others to do that. The cups, the cream pot, and the sugar bowl, the whole tea service, would think much oftener of the lid’s imperfections—and talk about them—than of the sound handle and the remarkable spout. The teapot knew it.

“I know you,” it said within itself. “I know, too, my imperfection, and I am well aware that in that very thing is seen my humility, my modesty. Imperfections we all have, but we also have compensations. The cups have a handle, the sugar bowl a lid; I have both, and one thing besides, in front, which they can never have. I have a spout, and that makes me the queen of the tea table. I spread abroad a blessing on thirsting mankind, for in me the Chinese leaves are brewed in the boiling, tasteless water.”